GimletBlog

Last spring (May to be exact) I began working on a scene from Edward Lear’s The Owl and the Pussycat, as a gift for Thing Two, who loves the poem.   Soon, though, several other bright and shiny projects like my niece’s band sampler and Hardanger Christmas presents distracted me from this one.  It also didn’t help that I had stitched all the interesting parts, leaving only the moon to do:  a vast expanse of white, and not nearly as exciting as … well, pretty much anything else I could find.  Before I knew it, Owl & Pussycat had become a UFO, a WIP, whatever you call those long-neglected projects.  (I prefer WIP (work-in-progress) because I really, really want to believe I’ll finish them some day.)

So I’m delighted to report that I finished Owl & Pussycat this weekend!  Thing Two is thrilled, too:  he watched intently as the last few French knots were stitched and was reluctant to let it go for photos before settling into its place of honor in his room.

Even though it took so long to get around to completing, I still like this scene quite a bit.  The color scheme is delightful and the characters are cute.  The night sky is all half cross stitches, so it’s not as difficult as it might appear; that section was completed much more quickly than the moon.  The backstitched characters and boat, set against half cross stitches and pale moon and sea colors create almost a three-dimensional look.  I added Kreinik pearl blending filament to the stars to make them sparkle; they also “pop” out a little more from the night sky.   Last year when I began this project, I was worried about all the back stitching, but after completing the chickadee tablecloth for Christmas, this back stitching was a breeze by comparison; I finished it in no time.

The design is by Sue Cook and can be found in Cross Stitch Collection, issue 128.  I bought my issue from eBay, and have seen a few offered since then, so it isn’t too difficult to find.   Owl & Pussycat is one of a four-part series of nursery rhyme charts by Sue Cook, all of which display the same vibrant colors and charm, and would be great additions to a nursery or to a fan of nursery rhymes.

While I’m showing off, how do you like these owl and pussycat stitching accessories?  The pussycat pincushion (which the Gimlet calls “Voodoo Kitty” for reasons best known to himself) was a Christmas gift from a local farmer’s market.  Its stuffing includes lavender, so it smells wonderful.  The owl and mouse tape measure (featured in the September/October 2008 issue of Victoria magazine) is carved out of cow bone with an amazing amount of detail — the feathers and talons are especially intricate.

Related posts:

… but I finished another cross stitch project from Thing One’s babyhood! Back In The Day, I bought the Beatrix Potter Counts set of charts from Green Apple with the idea that I would use the cute character/number pairs to decorate Thing One’s nursery. I managed to complete the three specialty numbers and the regular numbers one through eight before getting distracted, or bored, or who knows what happened? Eventually Thing One grew too old for Peter Rabbit decorations in his room, and Thing Two took his own sweet time joining our family, so the cross stitching box ended up in the basement. After successfully completing Thing Two’s birth sampler shortly after Christmas, I decided to finish numbers 9-12, and did so just before Valentine’s Day.

Each number was stitched on a 9″ square piece of 18 count cream Aida fabric, and uses about fifteen different colors of DMC floss per design (two strands of floss for the cross stitches and one strand for back stitches). The chart book provides handy measuring guides for 11, 14, 18, and 22 count projects, and suggests using the numbers to decorate bibs, hooded towels, growth charts, and other baby items. These are cute little designs, but most of my satisfaction derives from completing them after so long. Although now that Thing Two is discovering Peter Rabbit and his woodland neighbors, I may get to add these to a nursery after all.

Meanwhile, I had ordered a kit from the Jane Austen Centre in Bath based on a watercolor Jane’s sister Cassandra sketched in 1804. That project took considerably less time to complete: I started it immediately after the Beatrix Potter patterns and it was done by February 29. I’m very pleased with how it turned out; the color scheme and small size of the piece give it a very delicate appearance.

The design area is about 6″x5″, stitched on 18 count cream Aida fabric, using seventeen colors of Anchor floss (one strand for cross and back stitches). The directions combine two contrasting colors into a single cross stitch in a few areas, creating extra color tone and texture in the lower deep folds of Jane’s pelisse. The kit provides the fabric, a needle, and plenty of floss: I made a mistake early on and had to redo most of the pelisse, but at the end I still had a small amount of floss which could be used for a future project. At the time, though, I wasn’t sure I would have enough to cover my goof, and the big chain craft stores don’t carry Anchor floss, so I was delighted to learn that a nearby knitting/crochet specialty shop sells Anchor floss as well — and it’s much easier to visit than the chain stores, which are mostly out of town.

I haven’t decided what to stitch next: I bought the companion kit depicting Jane Austen’s house in Chawton, Hampshire, but I also own a Beatrix Potter chart book for Cecily Parsley’s Nursery Rhymes and would like to stitch the two designs depicting a favorite poem. In the spirit of continuing education and family heritage, I’d like to try Hardanger embroidery, but I’m not ready to start learning that yet. Meanwhile, I hope that Uncle B will apply his mechanical engineering skills to improve my scroll frame. I like the theory of the frame: I find it easier to work with and it doesn’t leave heavy creases like the hoop I used for Thing One’s projects. But the frame I bought doesn’t always hold the fabric securely. Does anybody have a favorite brand of scroll frame, or any thoughts about using scroll frames or hoops?

Related posts:

I bought a cross-stitch birth announcement kit to work on while expecting Thing One, and wanted to make a matching sampler for Thing Two. Although the floss and fabric were purchased well in advance of Thing Two’s arrival, I didn’t actually get around to starting it until the week before this Thanksgiving. (Yes, Thing Two is two and a half now.) The goal was to finish it in time for Christmas; I managed to complete it a few days after the holiday. Still, considering all the other tasks and projects that needed attention during this time, I’m pleased that it took only six weeks to complete. The design was worked on 18 count white Aida fabric and measures 11″x14″. Next I hope to finish up a set of small Peter Rabbit designs (also 18 count) that were started when Thing One was a baby.

ETA: I should have mentioned this kit was by Heartwarmer Designs, purchased from Deseret Book. I haven’t seen the kit in stores for years, but it occasionally shows up on eBay. Heartwarmer Designs doesn’t appear to be around any more, either.

The original package included fabric, 14 colors of DMC floss, and a needle. No fancy embroidery, just cross stitches (using 2 strands of floss) and back stitches (1 strand). Kits were available in two color schemes: bright primary colors and pastels; I own the pastel version. While the personal information can be stitched in pink or blue, the main poem and border around the sampler are blue; it would be interesting to see how the sampler would look with those parts stitched in pink.

Besides stitching samplers for the two Things, I think I stitched one as a gift for a nephew. I don’t remember making any others for the rest of the nephews and nieces, so if any of the sisters-in-law feel like their children have been sampler-deprived, get in touch and we can work something out.

Related posts: